Welcome to the Dark Shadows Podcast Summit where the hosts of four DS podcasts come together for a convivial roundtable discussion! Christen Pierce and Cara Tillitz of Between the Shadows, Alan James Gallant of Collinsport After Dark, and Jule T. Saynes, Gordon Dymowski, and Patrick McCray of Resident of Collinwood join Penny Dreadful of Terror at Collinwood to discuss topics such as: guests’ relationships to DS and why it still resonates with them, whether or not Count Petofi survived 1897 and whether he’d be in his own body if he did, what other authors could/would Dark Shadows have adapted, would DS have incorporated trends in 1970’s horror had the show continued, is a new Dark Shadows series going to be something that we’d actually want or not, gatekeeping in fandoms, what fans need to do to keep DS awareness and fandom alive, and more! You don’t want to miss this podcast crossover episode of epic proportions!

Writer, film critic, and actor Vikrum Mathur visits the podcast to talk about his experiences as a fan of Dark Shadows and how the series connects with many people across cultures and generations. Vikrum recounts stories about his great grandmother’s love of DS and also talks about some of the creatures and folklore of India that would have worked well in the Dark Shadows setting. In addition, Vikrum reminisces about playing Dark Shadows with his friends, shares thoughts about some of his favorite characters from the original series, and discusses the various iterations of DS over the years. Join us for this fun discussion!

On December 16th, 1968, David Selby made his first appearance as Quentin Collins on ‘Dark Shadows’. The character soon became a major sensation and pop culture icon, catapulting the hit show to even greater ratings heights as viewers witnessed Quentin’s intriguing backstory. To help commemorate his legendary character’s 55th anniversary, David Selby visits the podcast for this special holiday season episode. Discussion topics include: Christmas plans, Ansel Faraj’s ‘The Great Nick D’ and ‘Todd Tarantula’, getting cast as Quentin, Dan Curtis, sideburns and Vincent Loscalzo, memories of fellow DS actors, Earl Hamner and ‘The Waltons’, ‘Night of Dark Shadows’ restoration, writing a new novel, coming back for ‘Dark Shadows: Reincarnation’, and some words about the late, great Lara Parker. Please join us for this festive yuletide celebration of Quentin's 55th anniversary!

With their magic spells, curses, and arcane incantations, the witches, warlocks, and mages of Dark Shadows certainly left a strong and lasting impression upon fans of the show. One of those fans is Laramie Dean, a talented novelist (Black Forest) and playwright (Frankenstein Among the Dead, Dracula, The Gorgon Sisters). The delightful Laramie pays a visit to the podcast for a spirited discussion about Angelique, Nicholas, Judah, Bathia, Petofi, and other wielders of magic in the DS universe. The episode also includes: a geeky side lecture on the depiction of witches in horror films, and a substantial DS opening news segment that includes info about new books, appearances, podcasts, and more! The show ends with shoutouts to several Dark Shadows and DS-adjacent podcasts! ALSO: get thee to the Blue Whale jukebox and dig the terrifyingly tubular new surf rock version of the DS theme song, ‘Surfing the Shadows’, performed by Johnny D & The Moonlighters! It also happens to be the new opening theme for Terror at Collinwood!

Help support the podcast by donating at Buy Me a Coffee: https://www.buymeacoffee.com/terroratcollinwood

Rachel Pulliam, the producer and host of the Dark Paradise podcast, arrives on a train to visit Terror at Collinwood on this dark and stormy night. Topics include: Rachel’s introductions to Dark Shadows and Strange Paradise, the Sole Twin Audios Network and Rachel’s Dark Paradise podcast, which covers DS and SP, Art Wallace and the Shadows on the Wall show bible, and finally a discussion about Victoria Winters and her unknown parentage.

Robert Cobert’s iconic music themes for Dark Shadows were integral to the identity of the entire series and its two film spinoffs. Musician, author, and DePaul University College of Law professor, Ben Alba, visits the podcast to discuss and celebrate some favorite Cobert pieces. Throughout the course of episode, Ben even plays a few bars from several of the themes on his keyboard. Topics include: Ben’s lifelong fascination with the music from Dark Shadows, playing on the piano for fans at a Dark Shadows Festival, Bob Cobert’s incredible range as a composer, Dark Shadows soundtrack albums, and much more!

Correction: According to the interview with Bob Cobert in the booklet included with Discs 5 & 6 of ‘The Complete Dark Shadows Soundtrack Music Collection’ – “Many people assume that the instrument playing the Dark Shadows theme was a Theremin, but it wasn’t. The opening theme was neither a Theremin nor an Ondes Martinot. It was a Yamaha synthesizer with a string on it that made a Theremin-like sound. We couldn’t find an Ondes Martinot player or a Theremin player in New York, so we used that, and it was played by a very famous pianist named Dick Hyman… What you’re hearing in the theme is, melodically, a Yamaha on top, an alto flute on the bottom, then a bass, vibes, and harp, playing atonal accompaniment – five players in all.” I actually knew about this but misremembered the tweaked synthesizer organ as the way Robert Cobert initially presented the theme to Dan Curtis. Cobert presented the theme to Curtis by describing it and sort of whistling it while shaking his head about. I pulled the instrument listing (including the Theremin) from an online article and should have double-checked everything before recording the episode. Apologies. Also, from the same interview: “Almost all of the Dark Shadows music cues were recorded in England. It was money, pure and simple... the theme itself was recorded in New York.”

UPDATE: However, according to listener Jim Negro, it was an Electro-Theremin ("Tannerin") that was used in the DS theme: "The instrument used on the Dark Shadows Theme is indeed a Theremin, but not a traditional model. It was called an Electro-Theremin, and was invented and played by a man named Paul Tanner. Modern versions of this instrument are called the "Tannerin" in his honor, and also to help differentiate it from a traditional Theremin. It was Paul Tanner that contributed to the score; not Dick Hyman (see below).

Traditional Theremins are notoriously difficult to play and record with, so the Electro-Theremin was created as a substitute. It's played much like a regular keyboard, but has slide controls that alter pitch and volume. Most famous "Theremin" songs you've heard like the Dark Shadows Theme and the Beach Boys Good Vibrations are actually the Electro-Theremin.

Bob Cobert misspoke in the interview (perfectly understandable, given he was an octogenarian at the time) which has caused a lot of confusion. Yamaha Synthesizers didn't exist until 1974, and there's no "string" attachment to be had on them. He was describing an Electro-Theremin and its slide controls.

Dick Hyman confirmed he did not contribute anything to the Dark Shadows score. He's kept meticulous notes of all his sessions, going back to the late 1940s, and there's nothing for the Robert Cobert Orchestra or for any television/film score at that time. On the dates Bob Cobert was recording the theme in New York, Hyman was in Chicago recording material for the I'll Never Be The Same Again album. It would have been pretty unlikely that Hyman finished recording in Chicago during the day, flew to New York that night to record an Electro-Theremin part for a soap opera theme, then flew back to Chicago by the next morning to resume his album sessions, and not have any memory or record of doing so. There's also no evidence he ever played the Electro-Theremin or even knew what it was.

There was only one Electro-Theremin in existence, and it was owned by its inventor, Paul Tanner. He was the only person that was ever known to play it. All verified instances of its use (The Beach Boys Pet Sounds album, the My Favorite Martian score, the Music For Heavenly Bodies LP, the Ghost and Mrs. Muir theme, etc) were all performed by Paul Tanner, meaning the Dark Shadows score is almost certainly performed by him as well. The fact that he was under contract to ABC Television at the time pretty much seals the deal."

The 1970 Parallel Time storyline introduced Dark Shadows viewers to a strange and fascinating parallel universe inhabited by alternate versions of familiar characters who, in this mirror timeband, made different choices in their lives. Visiting to discuss this unique story arc are fellow DS podcasters Cara Tillitz and Christen Pierce of the Between the Shadows podcast and Jule Saynes of the Resident of Collinwood YouTube podcast channel. In addition to discussing the plotlines and characters of 1970 Parallel Time, and their inspirations, Cara, Christen, and Jule also talk about their introductions to Dark Shadows and why they launched their own DS-focused podcasts.

This episode of the podcast features the return of listener email! The show kicks off with a special thanks to every forum and group where Terror at Collinwood is shared, plus plugs for other podcasts. After that, Penny Dreadful dips her claws into the Collinsport mailbag to read and address messages and comments from fellow Dark Shadows fans! Topics include: Dark Shadows memories, time travel conundrums, thoughts on Roxanne Drew, quitting the podcast over criticism of the Burton film, listening to the show while exercising, stigma of not being a first generation fan, DS and Doctor Who, what if Mitchell Ryan had played Jeremiah, and much, much more!

A wide variety of memorable Dark Shadows collectibles have been released over the decades, surely with more to come. Jeff Kenny, a longtime DS fan, collector, and co-administrator of the Dark Shadows Collectors Facebook group, sits down for a show & tell chat about his favorite DS merchandise, rare holy grail items, and hopes for future collectibles. In addition, Jeff shares his passion for DS filming locations and discusses many important buildings and locations used in the series and films. Other topics include meeting DS actors, DS tattoos, Seaview Terrace, gatekeeping behavior in fandom, and much more!

In June of 1967 Grayson Hall joined the Dark Shadows cast as Dr. Julia Hoffman, a character who went on to play a pivotal role throughout the remainder of the series. In total, Grayson played six memorable characters on the show, including Magda Rakosi and Countess Natalie DuPres. This episode of Terror at Collinwood celebrates the 55th anniversary of Julia’s first appearance and features guests R.J. Jamison, who wrote the popular biography ‘Grayson Hall: A Hard Act to Follow’, and writer & longtime fan Steve Shutt. This fun and spirited discussion explores several favorite Grayson Hall scenes featuring each of her DS characters.

Dr. Andrew Higgins is a respected J.R.R. Tolkien scholar and longtime Dark Shadows fan who wrote the essay “The Gothic World-Building of Dark Shadows” for the publication, Exploring Imaginary Worlds: Essays on Media, Structure, and Subcreation. He visits Terror at Collinwood for a fun and insightful discussion about transmedia world-building, the primary vs. the secondary world, formalism, canon vs. non-canon, how spin-off media and fandom enriches and informs story worlds, and much more! Other topics include J.R.R. Tolkien, Andrew's memories of Dark Shadows, the story that inspired the use of I-Ching on DS, Angelique's confusing timeline, Grayson Hall, 1795, 1840, and much more!